Lovers-Making-Love Catapulted into the Metaphysical By a Classic Romance, Love Story
Dear Spider:
A simple romance, at first pastoral, almost harlequin, but become explosive with passion, is lifted into the literary when two innocents find in the residues of love’s ways the potential for heartbreak and spoil.
A Literary Romance
By Zolen Caló
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Just Another Georgia Romance
Readers Find: Just Another
Georgia Romance
Readers Find:
Illicit Love Propels Romance Novel
Three passionate love affairs shadow true love in this romance where social mores, social bias and illicit love combine with family pride to threaten love's survival.

Endless Love
Endless love haunts Caló fiction as if he, too, like you, sought, unequipped, the intensity of love's eternal delight.

'Will Always Love You', Novel Whispers
"I will always love you" comes as a whisper, a great ponderance shaped from wonder, there in you, and with you knowing it is in your one-time lover, still.

Know Love? Then You've Lost Love
Caló characters unravel the many faces of love and find that to know love is to have lost love.

Making Love: Heaven or Human
Is making love heaven or human? Or a Homo sapiens ploy to override the reality of eternity by celebrating the temporal: Caló


Where Is Love?
The essence of love hides the so subtle social difference that can lead to emotional loss or heartbreak - through the betrayal of love or the ruthlessness of the Status Quo. Beware lovers: If not you, then it might always be Them.
Beulah, Georgia, 1951, the leather back seat of a tulip-yellow Studebaker therefrom springs the story of four romances so impassioned as to change lives and to endure lifetimes; indeed, to endure still; to repeat, blossom, succeed, generation after generation, as everyone, everywhere, awaits Just Another Georgia Romance. This short novel allows no single of its four love stories to stand alone, though each is so singular, so intensely personal. The central one begotten by the other three tells of Natalie Merrywell and Blake Davis who meet upon the floor of the Merrywell Tobacco Auction Warehouse one sweltering August afternoon. They do not remotely know the secrets they carry as they fall more deeply in love from the moment of their first encounter to novel's very end. Nonetheless, neither the Montagues nor the Capulets of Shakespeare's pen hold an edge upon the aversion the Merrywell and Davis families experience when they discover the love between their handsome and talented offspring. They fail to realize that their mandate to end this modern-day relationship comes much too late; that it cannot be ended, only stilled.
Love's Secrets Messengered
Here, a love story that messengers love's secrets for the discerning, passion emboldened reader.

Caló Novels Exercise
The Broken Heart

Caló's novels cannot mend nor heal the broken heart, but they can strengthen the reader's capacity to love passionately once again.

Power of Love
The power of love is not static, but works both sides of the psyche, predicting both ether and humus as it mingles in the moisture the twain create: Caló


Star Crossed Lovers
Star crossed lovers escape staid literature and recreate themselves in the 21st century as this Caló novel resurrects love's passion apart from the daily cheap of sinew.

Love & Romance Coalesce In Caló
Love and romance live with as many definitions as McDonald's has hamburgers. But in this novel, they come unific - like twins, one born immediately after the other.

What Caló Knows
Love, lovers, the love story and the love relationship - are these really functions of lust, so that being dangerously in love is no more than a bio-hazard, a social issue, a negative measure of spiritual growth? 

Jung Psychology Brings
Literary Archetypes to Life

Carl Jung's spirit haunts romance in this stylish metaphysical book where synchronicity and a search for oneness press literary archetypes, both hero and heroine, toward personal ruin or personal transformation.

Southern Literature

An author of Southern literature, Novelist Zolen Caló blends with the big person-small town peculiarity of his fiction ingredients of philosophy and reality  enticing of literary criticism.

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  Sample Passage  
 


1951 · The Outskirts of Relee, Georgia

“Too much!  Oh!  Too much.”
Nora Täuber whispered the words upon her admirer’s chest, there, throbbing still, staccato.  Then, conscious of the draw of her nakedness along the bareness of his ribs, she lifted her eyes into his face.
“This is how I knew it would be,” she murmured.
The flush of passion faded from her abdomen.  She felt it, become dew-like, settled, silken perspiration upon her breast.  She pushed herself further into the mold of his arms and kissed him.
Her lover embraced her¾impulsively, anxiously.
“I love you, Nora.  Oh, God!  You must know that I love you.”
He dropped his lips upon hers and kissed her longingly.  She kissed him with matched ardor.  His passion accrued again at his thighs.  He kissed her, this time, ferociously.
She feigned shyness and tore her lips away.  Her deep blue irises peered playfully into his rainy gray ones, and she laughed.
“On the other hand, maybe this little yellow Studebaker is to blame—its best year yet, they say, nineteen fifty-one—and just perfect for a Georgia romance;  the way the convertible top screams out for indecent exposure;  and with that long and circular chrome nose that reminds me so much of your beautiful . . . .”  She giggled.  “I'm so naughty!  I've never behaved in such a way.”  Her eyes twinkled.  "Oh, yes!  How wonderful¾my love for you!"
She made him laugh¾embarrassed, almost shamefully.
“Do you really think one day that you might leave Macon and take me to Atlanta?  Or Cincinnati?  St. Louis?”
“It might as well be Manhattan.  I do not intend work as a manufacturer's rep for the rest of my life—running here and there to Podunk furniture stores all over Georgia.”
“Of one thing I am certain:  you'll be rich someday.  You look the part:  your shirts starched;  your trousers crisp;  your shoes shined¾and that gorgeous gold watch.”
He shook his head and smoothed the wave of golden brown at his temples.  He smiled and swallowed.
“When I hear my vanity admired by someone else, Nora, I feel so ill at ease.  I say to myself, ‘Maybe I don't know what I'm doing’.”
“You don't?”
He peered at her.  A wince crowded his eyes.
“No, I . . . I don't.  Not always.  That's part of why I brought you here.  We came to talk, remember?”
“Yes.  To talk to me, you said.  But since you first made love to me—”
“Valentine's Day.  Only two months ago.  When it felt so cold . . . .”
He turned his view upward into the April arbor of tree and vine that shaded them in that hidden, seldom traveled corner of the county.  She lifted her eyes with his, then dropped them again upon him.
“I don't remember it to be cold at all,” she said.  “And, surely, you've talked very little to me since then—not out here, anyway—only a lot of yells and cries and the repetition of certain dirty words.”
She laughed.  She kissed him and pulled herself away to dress.
“Oh, Nora, I¾
“You are such a lover,” she said.  “I love you so.”
He pulled her to him and kissed her;  his kiss fervent and sincere.

 1972 · Early Spring · Beulah, Georgia

“I'll never understand why Austin insisted that we hold the showing here at the house, Henry.”  Nora Merrywell shook her head with annoyance.  “He never consulted me about it, and if he consulted you and you failed to mention it to me, then I am inclined to doubt your wherewithal to provide support to our family in the years to come.”
Henry Terwilliger cleared his throat, blinked his eyes, and dabbed his handkerchief at a raindrop that trickled from his balding head toward the rim of his glasses.
“He did not consult me, Mrs. Merrywell.  He simply informed me.”
The middle-aged woman, her hair, thick, once a deep and dark brunette now moved somewhat toward gray and surrounding a delicate face not accustomed to worry, practiced the formation of new lines around mouth, eyes, and brow as she responded to the stress of the past few days.  She shrugged tensely.
“Well, here we are, mid-March, day after day of cold rain, half of our guests' cars stuck on the front lawn, Mybo who babbles like a baby, and my daughter who plays a Chatty-Kathy as if this were some kind of social event, when—”
“She merely tries to make things appear as normal as possible, Mrs. Merrywell.”
“While you stand before me and worry me with financial details sufficient to spin me into a nervous breakdown.”
“I only mentioned a concern about Mybo's readiness to—”
“Mybo is not emotionally unstable.  Surely, he finds reason to be upset.  And Katelynn's refusal to participate with him in tonight's observance¾and I, personally, do not blame the poor thing¾has, nevertheless, upset him doubly.”
The accountant gathered the lapels of his suit coat in his hands and propped the balled fists that held them upon the top of his belly.
“Forgive me that I say so, Mrs. Merrywell, but Mybo should not need to rely upon the social tastes of a young lady still in her teens to perfect his familial and commercial obligations.”
“Do you now imply that my son lacks sufficient self esteem to manage—”
“I did not say that, Mrs. Merrywell.”
“But you wanted to say that . . . and . . . and, well . . . I could concede the point.  You, an accountant, would see a self-esteem issue while I, a mother, see only a temporary timidity, a residue of adolescent fears.  So let me ask you to find Mybo¾wherever he hides himself in this house¾and build his esteem a bit.”  Activity in the foyer claimed Nora’s attention.  “That sounds like Miss Stephanie.”  She listened a moment.  “And Reverend Toombs.  I need to go.”  She implored him with a sigh.  “Please, Henry, find Mybo.  Pull him from his doldrums.  He should be here to greet our family and friends.”
She heeled upon the plush white carpet around which spanned the densely paned French windows of the dining room and walked toward the marbled foyer.  She smoothed the black silk dress she chose for the occasion and searched among the clusters of guests in the living room.  There she caught the eye of her daughter who stood with guests before a hand-carved and flower-draped coffin.  She motioned to her.
The young woman¾tall, slim, wide shoulders, over which fell a finely textured stock of dark brown hair, thickly curled, dangled richly against her cheeks to frame an oval face of fairest skin and welcome smile¾she, a nearly perfect reproduction of her who once graced the leather seats of a tulip-yellow Studebaker—acknowledged.  Natalie Merrywell approached that other woman, her mother, the widow of Austin Merrywell, the richest man in Beulah, Georgia.
 
     
Literary
Works of
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Author
The Quixote Imbroglio
Just Another Georgia Romance
Fingers Through The Sand
Ali Zán And True Love
Memory Work
Nearly Diamond
He, Recalled
Earth, Dirt, And Dust
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